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	<title>VERUS PAINTERS</title>
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	<pubDate>Wed, 28 Jul 2010 20:40:58 +0000</pubDate>
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		<title>Exhibitions</title>
		<link>http://www.veruspainters.org/exhibitions/</link>
		<comments>http://www.veruspainters.org/exhibitions/#comments</comments>
		<pubDate>Sun, 11 Feb 2007 23:59:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Karen Schifano]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 -->  Sight &#038; Sound: Music and Abstraction in Australian Art
John Aslanidis
June 12 - September 19, 2010
The Arts Centre, Melbourne, Australia
Women&#8217;s History Month Print Invitational
Lorraine Williams
March 11 - March 31, 2010
VanDeb Editions, New York
BLACK MAGIC
Peter Köhler
January 9 - February 7, 2010
Galleri Magnus Karlsson, Stockholm, Sweden
Gallery Selections, Small Scale Works
John Aslanidis, Shinsuke Aso, Richard Bell, Susann Brännström, [...] ]]></description>
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		<title>Contact</title>
		<link>http://www.veruspainters.org/contact/</link>
		<comments>http://www.veruspainters.org/contact/#comments</comments>
		<pubDate>Sun, 11 Feb 2007 23:57:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Karen Schifano]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 -->   


526 West 26th Street
Room 902
New York, New York 10001 USA
Tel : (212) 741-9141
 

  
  

   
      

      
       Required contact info:
        Enter your full name [...] ]]></description>
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		<item>
		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/167</link>
		<comments>http://www.veruspainters.org/167#comments</comments>
		<pubDate>Wed, 16 Dec 2009 20:23:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
Pardes Rimmonim, 2004, 68 x 72 inches, Acrylic on canvas

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe that accompanies [...] ]]></description>
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		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/165</link>
		<comments>http://www.veruspainters.org/165#comments</comments>
		<pubDate>Wed, 16 Dec 2009 20:20:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
Skeletal History (Pink), 2008, 20 x 40 inches, Acrylic on canvas

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe that [...] ]]></description>
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		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/162</link>
		<comments>http://www.veruspainters.org/162#comments</comments>
		<pubDate>Wed, 16 Dec 2009 20:12:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
Dangling In the Tournefortia, 2006, 64 x 80 inches, Acrylic on canvas

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe [...] ]]></description>
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		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/81</link>
		<comments>http://www.veruspainters.org/81#comments</comments>
		<pubDate>Thu, 01 Mar 2007 00:32:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
Resplendent Effects, 2005, acrylic on canvas, 66 x 76 inches

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe that accompanies [...] ]]></description>
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		<item>
		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/18</link>
		<comments>http://www.veruspainters.org/18#comments</comments>
		<pubDate>Wed, 28 Feb 2007 19:01:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
At Lilac Evening, 2004, acrylic on canvas, 65 1/2 X 79 inches

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe [...] ]]></description>
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		</item>
		<item>
		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/82</link>
		<comments>http://www.veruspainters.org/82#comments</comments>
		<pubDate>Thu, 01 Mar 2007 00:33:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
The Small Perceptions, 2004, acrylic on canvas, 66 x 78 inches

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe that [...] ]]></description>
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		<item>
		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/83</link>
		<comments>http://www.veruspainters.org/83#comments</comments>
		<pubDate>Thu, 01 Mar 2007 00:33:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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At Certain Moments Eternal, 2006, acrylic on canvas, 59 X 96&#8243; inches

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant introspective awe [...] ]]></description>
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		<title>Lorraine Williams</title>
		<link>http://www.veruspainters.org/84</link>
		<comments>http://www.veruspainters.org/84#comments</comments>
		<pubDate>Thu, 01 Mar 2007 00:34:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Lorraine Williams]]></category>

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		<description><![CDATA[<!-- matched  --><!-- final 0 --> 
A Strange Truth Enter the Universe, 2004, acrylic on canvas, 63 X 82 inches

For myself, I find essential painting to be confrontational, not anesthetizing. It brings you to yourself. It is the opposite of escapism. The only “meaning” of painting is that we’re alive. Aware of this reality, we are one-hundred-percent responsible for the attendant [...] ]]></description>
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